Dead Tomorrow – Coming in May
Author: Tony McFadden
Scrivener Templates – Again
I use a couple of different templates when I’m writing. One, a 4-part novel template for Scrivener, has been linked by several websites and unfortunately, that link now goes nowhere.
This is/will be the new landing post for templates. They generally follow the structure I talk about elsewhere on this site.
You need to right-click this link (don’t click it. It won’t do you any good) and save the file in a location you can’t forget (let’s go for desktop, for now).
When you start a new Scrivener project, you’re presented with a window that allows you to select a template. The bottom left of that window is an “Options” button that allows you to import a template:
Navigate to the Desktop (or wherever you’ve saved the download) and select the template. It’ll be an option (under Fiction) going forward.
I also use an 8-part “mini-movie” template when writing screenplays. It’s a bit more streamlined than the 4-part (counter-intuitively) because I’m not breaking it into chapters.
If you’re interested, right-click here and follow the directions above.
REMEMBER: Right-click and save. Don’t just click on the link.
If you’ve got any questions, please drop a comment below.
Coming Soon – Dead Tomorrow
A different way to structure stories
About seven or eight years ago, somebody (and I can’t recall who) put forward a “mini-movie” approach to structuring your story.
Just jumping in here to say story structure does not remove creativity. It’s a set of guidelines, much as building design rules are (roof is on the top, windows on the outside walls, basement on the bottom, plumbing not exposed), and every house (except for those suburbs built in the last decade) are different. If you don’t want to use a structure, fine. I find it much easier to plot a story if I have a rough idea of where things should be. And if you say not all stories follow a structure, name one. I’ll show you the inherent structure in a future post.
Aside over.
The scheme is divided into eight roughly equal sections. The first two constitute Act 1, the middle four constitute Act 2, and the final two constitute Act 3. The guidelines for each are as follows:
A couple of dozen words each, offering guidance to the writer on the expected deliverable for each section of your story.
What do you think? I’ve found this handy when I first start thinking about the outline of a new book.
Bowling Life Lessons
I wrote this after the last Nationals comp Amy and I went to. This site was subsequently hacked and destroyed (thanks to WordPress vulnerabilities I’ve since learned about).
The post was well received, so I’ve dug through the Way Back machine and recovered it:
We recently had an exciting week of bowling in Canberra (this was back in June 2019), where every single one of the Rockets did themselves proud. And over the course of the week, it occurred to me that my daughter has learned more than how to clean up a spare when she needs to. There are valuable life lessons learned from tenpin bowling:
- Your first frame is not the game. A gutter ball with the first throw doesn’t mean a poor score. And a strike with the first ball doesn’t mean a good score. Never assume you know how something will end before it’s finished.
- In conjunction with the first point, the only ball that counts is the one in your hands. Not the one you just threw, not the next game and not the next tournament. Don’t get ahead of yourself. And don’t beat yourself up about what has happened in the past. Roll with it. (See what I did there?)
- Think before you do. Once you’ve let go of the ball, there’s absolutely nothing you can do to change its path. Take the extra time to make a plan. It’s a good investment.
- You will meet people of all shapes, sizes and disabilities when you bowl. You’re no better or worse than any of them.
- Wait your turn. It’s not just tournament rules, it’s a good thing to do. And when the bowler beside you encroaches, let them. Step back and let them go. Pick your battles. There is absolutely no benefit in pushing something that doesn’t help anyone.
- And finally, a seven-ten split is almost impossible for even the best bowler. Pick a pin.
Happy bowling, and see you again in February.
All the books
Ten Million
November will be the tenth anniversary of the release of “Unprotected Sax“, one of the ‘Miami Mob’ books.
Playing sax in his friend’s jazz band was supposed to be relaxing.
Then his friend disappeared.
Johnny Delacourte (aka Johnny D The Sax Machine) left the Army Rangers and the battlefields of Afghanistan six months ago.
Then the friend disappears, the cops don’t seem to care, and the Russian mob is all over his ass.
One of the antagonists — the primary antagonist, is a Russian mobster named Vladimir Petrovski. The story doesn’t end well for him. No spoilers, but it was not good.
Early 2023 will see the release of my third Nick Harding case. Tentatively, it’s called “Dead Tomorrow”. (Don’t bank on that title staying. I have a bad habit of changing the title at the last minute.) Petrovski ends up being the big bad in this book, also.
In November, on or about the anniversary date of Unprotected Sax, I’m going to release a 10,000-word short called “Ten Million”. It started as an exercise to build a backstory for “Dead Tomorrow”, but it’s a pretty good yarn, bridging the decade between then and now.
It’ll be a free short story. It’s not a necessary read for “Dead Tomorrow”, but it might help. If you’ve already purchased “Unprotected Sax” as an e-book, this short will be included as an epilogue of sorts. Set your reading device up for automatic updates. It’ll show up sometime in late November. And if that doesn’t work, it’ll be available as a free download on this site, and on all popular and unpopular ebook sites.
Edit: Except for Amazon. Unless someone can tell me how to make a book free on Amazon.
24 Jan 2023: It should be available on Amazon for free once price matching goes into effect.
Apple/iBooks | Barnes & Noble | Kobo | Amazon
Writing a book. In a day.
It takes me roughly a year to churn out one of my intricately plotted and carefully crafted pile of (roughly 80,000) words. [author aside: If you all actually bought my books, I’d be able to quit the job that pays the mortgage and feeds the bellys and I’d have more time to write. I’d be able to churn out possibly even two a year. Just sayin’.]
On July 24th, I and six writing/illustrating colleagues will be writing AND illustrating a 10,000 word kid’s book in support of the Kids Cancer Project. We seven are the “Magnificent Seven Six“.
We are all donating our time, brilliant intellect and unparalleled creativity *cough cough* to raise as much money as possible in support of The Kids’ Cancer Project. It is an independent national charity supporting childhood cancer research. Since 1993, thanks to strong community support, the charity has contributed tens of millions of dollars to scientific research projects to help children with many types of cancer. Right now, the charity is funding 35 medical research projects across 22 institutes Australia-wide.
All completed stories will be included in the Online Library which is shared with hospitals around Australia for families and children undergoing treatment.
Please stop by our landing page and sponsor us with whatever you can afford.
Rainbow Crossing’s Book Trail
About a month ago Brian Laul called me up and wanted to know if I was interested in being part of his inaugural “Book Trail”.
“I’m an author, Brian. I don’t want to hike anywhere.”
Turns out, the Book Trail, organised by A-B Street Library, Rainbow Crossing and half a dozen coffee shops around Campbelltown, was an opportunity for local authors to spend an hour in a cafe (our natural habitat) and chat with interested readers (and writers).
I was parked in Stamp Cafe this past Saturday from 11am to noon talking to about 20 interested souls about my writing journey, how I get inspired to write when the spirit isn’t all that willing and what my pen name would be should I venture into the Romance genre. (Like I would tell you.)
If I’m honest, I’m not a huge fan of talking in front of crowds. Until I start. Then you can’t shut me up. Especially when it’s about writing. Story structure, plot points, how the germ of an idea can turn into a novel, successfully getting your reader to suspend disbelief…these are things I could talk about all day.
And it was easy. Many great questions and comments from the attendees which made sure there was little dead air. the hour went by faster than I thought it would.
And more than one person showed up, so my expectations were exceeded.
Hopefully this is an annual event. Looking forward to next year.
Broken. Coming June.
There’s a new Nick Harding case. Actually, two of them for the price of one.
A very rich old dude is about to kick off and is desperate to make amends with his estranged son. Nick is contacted by the old guy’s lawyer with a task: Find the son, convince him to get in contact with his father, and help mediate the relationship. Nick hates mediating.
That same day a friend of a friend engages him to track down a serial deadbeat who has bilked a small financial services company out of millions of dollars. The fee is lower, but the job is more up Nick’s alley, what with his background in the Financial Crimes unit of the Australian Financial Police.
Then the heir’s life is threatened, the deadbeat has a compelling backstory and everything Nick thought he knew was wrong.
Paperback and eBook formats will be available on June 1.
ARCs will be available early May on Netgalley, so keep an eye out there if you want a *free early version.
(*financially free, but I’d love a pre-release review.)