Write. Now.
I’m looking for preorders to give Amazon’s algorithm a kick. All presales are counted as sales on the release date, May 1. A decent sales volume pushes the book up the charts, gaining it more visibility.
If the description above interests you, please preorder at Amazon US | Amazon UK | Amazon CA | Amazon AU
Looking forward to hearing from you all.
Dead Tomorrow will be available on Amazon (eBook) and everywhere in paperback format on May 1. It’s available for pre-order on amazon now (as an eBook) and will be available for pre-order in paperback format in about a week.
I’m looking for avid readers who enjoy a fast-paced crime story to provide ARC reviews on Amazon for me. Got to get that algorithm working for me.
ARC copies are available now. They will be pdf copies. If you’re interested and think you can read (or attempt to read) a 70k book and review it by May 1, please leave a comment below, and we’ll chat, and I’ll send you a personalised copy.
Available now for preorder. Help me kick the Amazon algorithm in the arse. If the description below interests you, please preorder at Amazon US | Amazon UK | Amazon CA | Amazon AU
Looking forward to hearing from you all.
In an attempt to raise the visibility of the books which lead into “Dead Tomorrow” (coming to all good and shitty bookstores in May 2023), I‘ve placed “Broken” and “Unprotected Sax” in the KDP Select program on Amazon.
Broken is Nick Harding’s last case. Nick is a former member of the Australian Federal Police who specialised in financial crimes. He left the AFB almost a decade ago and set himself up as a PRivate Investigator.
Nick Harding has a new case. Actually, two of them.
A very rich old dude is about to kick off and is desperate to make amends with his estranged son. Nick is contacted by the old guy’s lawyer with a task: Find the son, convince him to get in contact with his father, and help mediate the relationship.
Nick hates mediating.
That same day a friend of a friend engages him to track down a serial deadbeat who has bilked a small financial services company out of millions of dollars. The fee is lower, but the job is more up Nick’s alley.
Then the heir’s life is threatened, the deadbeat has a compelling backstory and everything Nick thought he knew was wrong.
Amazon AU | Amazon US | Amazon CA | Amazon UK
Unprotected Sax came out over a decade ago. The main antagonist in this story was a Rusiian mobster in South Florida named Vladimir Petrovski.
In “Dead Tomorrow (coming to all good, mediocre, and shitty bookstores everywhere in May 2023), Petrovski reappears, with good reasons (for him) and proves to be a worthy adversary.
I use a couple of different templates when I’m writing. One, a 4-part novel template for Scrivener, has been linked by several websites and unfortunately, that link now goes nowhere.
This is/will be the new landing post for templates. They generally follow the structure I talk about elsewhere on this site.
You need to right-click this link (don’t click it. It won’t do you any good) and save the file in a location you can’t forget (let’s go for desktop, for now).
When you start a new Scrivener project, you’re presented with a window that allows you to select a template. The bottom left of that window is an “Options” button that allows you to import a template:
Navigate to the Desktop (or wherever you’ve saved the download) and select the template. It’ll be an option (under Fiction) going forward.
I also use an 8-part “mini-movie” template when writing screenplays. It’s a bit more streamlined than the 4-part (counter-intuitively) because I’m not breaking it into chapters.
If you’re interested, right-click here and follow the directions above.
REMEMBER: Right-click and save. Don’t just click on the link.
If you’ve got any questions, please drop a comment below.
About seven or eight years ago, somebody (and I can’t recall who) put forward a “mini-movie” approach to structuring your story.
Just jumping in here to say story structure does not remove creativity. It’s a set of guidelines, much as building design rules are (roof is on the top, windows on the outside walls, basement on the bottom, plumbing not exposed), and every house (except for those suburbs built in the last decade) are different. If you don’t want to use a structure, fine. I find it much easier to plot a story if I have a rough idea of where things should be. And if you say not all stories follow a structure, name one. I’ll show you the inherent structure in a future post.
Aside over.
The scheme is divided into eight roughly equal sections. The first two constitute Act 1, the middle four constitute Act 2, and the final two constitute Act 3. The guidelines for each are as follows:
A couple of dozen words each, offering guidance to the writer on the expected deliverable for each section of your story.
What do you think? I’ve found this handy when I first start thinking about the outline of a new book.
I wrote this after the last Nationals comp Amy and I went to. This site was subsequently hacked and destroyed (thanks to WordPress vulnerabilities I’ve since learned about).
The post was well received, so I’ve dug through the Way Back machine and recovered it:
We recently had an exciting week of bowling in Canberra (this was back in June 2019), where every single one of the Rockets did themselves proud. And over the course of the week, it occurred to me that my daughter has learned more than how to clean up a spare when she needs to. There are valuable life lessons learned from tenpin bowling:
Happy bowling, and see you again in February.
November will be the tenth anniversary of the release of “Unprotected Sax“, one of the ‘Miami Mob’ books.
Playing sax in his friend’s jazz band was supposed to be relaxing.
Then his friend disappeared.
Johnny Delacourte (aka Johnny D The Sax Machine) left the Army Rangers and the battlefields of Afghanistan six months ago.
Then the friend disappears, the cops don’t seem to care, and the Russian mob is all over his ass.
One of the antagonists — the primary antagonist, is a Russian mobster named Vladimir Petrovski. The story doesn’t end well for him. No spoilers, but it was not good.
Early 2023 will see the release of my third Nick Harding case. Tentatively, it’s called “Dead Tomorrow”. (Don’t bank on that title staying. I have a bad habit of changing the title at the last minute.) Petrovski ends up being the big bad in this book, also.
In November, on or about the anniversary date of Unprotected Sax, I’m going to release a 10,000-word short called “Ten Million”. It started as an exercise to build a backstory for “Dead Tomorrow”, but it’s a pretty good yarn, bridging the decade between then and now.
It’ll be a free short story. It’s not a necessary read for “Dead Tomorrow”, but it might help. If you’ve already purchased “Unprotected Sax” as an e-book, this short will be included as an epilogue of sorts. Set your reading device up for automatic updates. It’ll show up sometime in late November. And if that doesn’t work, it’ll be available as a free download on this site, and on all popular and unpopular ebook sites.
Edit: Except for Amazon. Unless someone can tell me how to make a book free on Amazon.
24 Jan 2023: It should be available on Amazon for free once price matching goes into effect.
Apple/iBooks | Barnes & Noble | Kobo | Amazon